The Tin Drum

The Tin Drum

Language: English

Pages: 600

ISBN: 0547339100

Format: PDF / Kindle (mobi) / ePub


The Tin Drum, one of the great novels of the twentieth century, was published in Ralph Manheim's outstanding translation in 1959. It became a runaway bestseller and catapulted its young author to the forefront of world literature.

To mark the fiftieth anniversary of the original publication, Houghton Mifflin Harcourt, along with Grass’s publishers all over the world, is bringing out a new translation of this classic novel. Breon Mitchell, acclaimed translator and scholar, has drawn from many sources: from a wealth of detailed scholarship; from a wide range of newly-available reference works; and from the author himself. The result is a translation that is more faithful to Grass’s style and rhythm, restores omissions, and reflects more fully the complexity of the original work.

After fifty years, THE TIN DRUM has, if anything, gained in power and relevance. All of Grass’s amazing evocations are still there, and still amazing: Oskar Matzerath, the indomitable drummer; his grandmother, Anna Koljaiczek; his mother, Agnes; Alfred Matzerath and Jan Bronski, his presumptive fathers; Oskar’s midget friends—Bebra, the great circus master and Roswitha Raguna, the famous somnambulist; Sister Scholastica and Sister Agatha, the Right Reverend Father Wiehnke; the Greffs, the Schefflers, Herr Fajngold, all Kashubians, Poles, Germans, and Jews—waiting to be discovered and re-discovered.

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Over bundles of empty onion sacks and stacks of equally empty fruit crates until, gliding across timberwork he'd never seen before, it approached the spot where Greff's hiking shoes must be hanging or standing on tiptoe. Of course I knew that Greff was hanging. The shoes were hanging, thus the coarsely knit dark green socks were hanging too. Bare male knees above the edges of the socks, hairy thighs to the edges of the knee pants; then a prickling, stabbing sensation rose slowly from my private.

Reich, for Gregor Koljaiczek, the drunken gunpowder maker, who appears relatively sober in his pictures, sports it too. More mystic in tone, having been taken in Częstochowa, is the image captured of Vinzent Bronski, who holds a votive candle. A youthful portrait of the slender Jan Bronski bears witness to a consciously melancholy manliness, captured by means of early photography. The women of that period were seldom as successful at finding a look that matched their demeanor. Even my.

Man, whom the two others, both in green hats with black bands, held between them, kept missing the running board, either because he was clumsy or had poor eyesight. His companions, or guards, guided him almost brutally onto my driver's platform, and from there into the car. I had started off again when I heard behind me, from the interior of the car, a pitiful whimpering and what sounded like someone being slapped, then, to my reassurance, the firm voice of Herr Matzerath, admonishing the newly.

Restricted myself, when they tried to take my drum away at night, even though it belonged in bed with me, to punishing one or more light bulbs from the fourfold effort of our living room lamp. Thus on my fourth birthday, in early September nineteen twenty-eight, I plunged the entire assembled birthday company—my parents, the Bronskis, Grandmother Koljaiczek, the Schemers, and the Greffs, who had given me everything under the sun: tin soldiers, a sailing ship, a fire engine, but no tin.

Sank back again into her old rectilinear, obtuse, and poorly paid role, pulled herself together, as teachers must from time to time, and said, "You must be little Oskar. We've heard so much about you. How nicely you drum. Isn't that so, children? Isn't Oskar a good drummer?" The children roared, the mothers drew closer together, Spollenhauer had herself under control again. "But now," she piped in falsetto, "let's put the drum safely away in the classroom locker, it's tired and wants to sleep.

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